Austin Powers in Goldmember is not a very good movie. Most of the jokes, when there are jokes at all, are callbacks to the previous two Austin Powers. Whole scenes consist entirely of co-writer/star Mike Myers riffing, usually with himself, about random subjects like moles or poop. The plot barely exists; its time-travel component makes absolutely no sense whatsoever. Goldmember is the cinematic equivalent of a cubic zirconia. It bears all the superficial features of a movie. But something, something crucial yet invisible, is missing. There’s basically no reason to watch it — except one, and that’s the movie’s big plot twist which, 13 years later, became the big plot twist in Spectre.