Matthew Monagle

Look, I’m a pretty simple guy. I don’t ask for a lot out of life. Life doesn’t ask for a lot out of me. But I do have one very small goal, and that’s to eventually do something well enough that a bunch of colleges around the United States decide to praise me with honorary doctorate degrees. A pretty modest aim, right? One pithy news article about Star Wars rumors, and suddenly, the University of Southern California and UCLA are competing to see who can give me the most pieces of paper with my name on it. In the immortal words of Cannibal! The Musical, that’s all I’m asking for.

While fans have mostly been enthusiastic about the expanded role of Jason Statham in The Fate of the Furious, there is one thing that has stuck in their collective craw. While Statham’s character has the movie’s best moments, he never stops to address the elephant in the room: Shaw did kill Sung Kang’s Han, perhaps the most beloved character in the franchise and (we assumed) an unforgivable offense for a movie built on family. Will the filmmakers address this in a future installment of the Fast and the Furious films? Or, perhaps more intriguing, could Sung Kang find his way back into the franchise?

Fans are never satisfied. Here we are, finally enjoying the first batch of footage from Star Wars: The Last Jedi, and we’re already wondering about Star Wars: Episode 9 and beyond. The resurgence of Luke Skywalker in particular has us wondering a bit about the franchise’s endgame. The Star Wars movies have always been tied to the emotional journeys of one father and one son; can this universe maintain a new Skywalker narrative after the main one is complete? Or will Star Wars: Episode 9 bring this chapter in the Star Wars universe to a close?

Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:

It may seem strange to describe the eighth film in a blockbuster franchise as a transitional moment in the series, but then again, few franchises have had to deal with the death of an actor as essential as Paul Walker. The Fate of the Furious was always going to be a bittersweet affair for those involved; while the movie promised to push new characters and new relationships to the forefront, fans wondered how exactly they would choose to address the loss of Walker’s beloved Brian. The solution screenwriter Chris Morgan came up with should leave diehards and newcomers alike very pleased.

With two high-profile films premiering at this year’s Cannes Film Festival, Netflix is hard at work proving to filmmakers and financiers alike that it deserves to be taken seriously as both a commercial and artistic distribution platform. And while fans might be excited to watch Bong Joon-Ho’s Okja or Noah Baumbach’s The Meyerowitz Stories from the comfort of their own home, Netflix’s success may have run afoul of French law, putting its relationship with both the film festival and the entire French marketplace in a precarious position.

Studio math might be one part proprietary data and one part alchemy, but here’s something I feel pretty confident saying: when your trailer sets the all-time record for most views in a day, you’re about to make some moolah. We all remember that the first teaser trailer for It had 197 million views in its first 24 hours online, shattering the previous (albeit short-lived) record of 139 million set by The Fate of the Furious. Those would be extraordinary numbers for any movie, but for an unapologetic horror film about a demon clown? Not even the most aggressive Warner Bros. projections could have predicted that.

While fans from around the world have gathered to share their love of Star Wars at this year’s Star Wars Celebration, there has been one sobering element to the festivities. The loss of Carrie Fisher has been felt at every level of the convention, from Thursday’s bittersweet memorial video put together by Lucasfilm to the sadness felt while Star Wars: The Last Jedi director Rian Johnson shared his behind-the-scenes footage from the set. And since this is a convention of all things Star Wars, fans have also speculated about the role the actress might play in the next film. Is there a place for Fisher in Star Wars: Episode 9?

Alright, a gold friggin’ star to the person who thought of this one. With the new season of Mystery Science Theater 3000 hitting Netflix today, most of the conversation has been dominated by lifelong fans of the show  —  fans like myself  —  who are some combination of excited and apprehensive about the return of their favorite television series. But what about the next generation of MST3K fans? How does Netflix introduce them to their service? Why, by riffing on another Netflix property that everyone already knows and loves, of course!

Here’s a little bit of free relationship advice for you: find someone who loves you like David Duchovny and Gillian Anderson love playing Mulder and Scully. It’s been more than two decades  —  two decades!  —  since both actors debuted their iconic characters on Fox’s The X-Files, and even after nine seasons, a movie, another movie, and a sorta-miniseries, neither one shows any signs of slowing down. In an era where audiences seem to demand that actors love their characters as much as we do, there’s something refreshing about two performers who come by such affection naturally. Anderson in particular is a powerhouse star of stage and screen, but get her talking about Dana Scully and she’s just as passionate as any of us.